Tuesday, July 27, 2010
After the twenty-six second intro Seelenland comes through with full force the track is short and memorable, the splendid melodic atmosphere is addictive once you absorb in completely the guitar riffs are cold and sharp. The cold haunting desolate keyboard in the background is what carries the structure of the song like some sort of hook similar to the work done by German black metal band Lunar Aurora. Schwanengesang has keyboard parts that remind of something that could have easily been found on Ceremony of the Opposites by Samael. The double bass drumming of Alexander von Meilenwald rolls along during Bildnis der Apokalpse at various time during the track. Der Flug des Raben (Ein Jammerschrei in traurig' Nächten) is a fourteen-minute monster of black metal misanthropy.The track has clean mid-paced sections, blasting drums, keyboards and even clean vocals. Zingultus's vocal work possibly makes him one of the best black metal vocalist period I made this choice after listening too Hünengrab im Herbst times.
One of the main things I like about Nagelfar is their use of keyboards on their albums, which I can easily make reference to Emperor, but Nagelfar does the keyboards a bit different. The band does not go to extreme when using keyboards, they just know how to utilize them in the correct way. One problem that I had with the album is the bonus track Fressen der Raben that is included, overall it is a decent track but does not live up to the rest of the material. On a side note I would like to mention is that Hünengrab im Herbst was also released as an A5 digi-CD as well. Van Records has just recently reissued the second Nagelfar album Srontgorrth so I will be adding that to my buy list, because Nagelfar is one of those bands where every release easy to obtain by them is essential.
In German the song titles are:
4. Hünengrab im Herbst
5. Bildnis der Apokalypse
6. Srontgorrth (Das dritte Kapitel)
7. Der Flug des Raben (Ein Jammerschrei in traurig' Nächten)
The English translation for the songs on Hünengrab im Herbst are:
2. Land of Souls
4. Dolmen in Autumn
5. Portrait of the Apocalypse
6. Srontgorrth (The Third Chapter)
7. The Flight of the Raven (A Cry of Lament in Sorrowful Nights)
I quickly noticed how it took multiple listens for me to really get used to the songwriting that was taking place on Oionos, but this was not the problem I had when first listening to Days of Nothing. Outsiders crushes anything into dust the song is heavy with crushing guitar riffs and drums. Soliloquium is an epic track that has a nice build up and results in a barrage of epicness the guitars in Soliloquium are more leaned toward the doom metal side. Lost Humanity has a choir singing in the background this adds another haunting direction to the album. Survivors Sleep contains drum work that seems more like tribal drum beats and Chant of Windows is a perfect song to have on Oionos as well the track built with excellent keyboard work, also the vocals are perfect as well as the are done in a clean singing format. Hope She's In the Water is one of those songs that is heavier than a ten ton hammer and the sheer weight crushes from the slightest note coming forth from the song.
Also on a closing note I would recommend in checking out the first full-length by The Foreshadowing, Days of Nothing the album kicks ass and it shows a band that is full of potential I am looking forward to see where this bands heads into the future. To occupy the time I have two releases by The Foreshadowing that will get more plays throughout the year.
Sunday, July 25, 2010
Gilles De Rais's bass can be heard perfectly in the mix along with the guitars, drums and vocals. The guitars on Via Negativa have an overall hypnotic feel to them. My Wintery Embrace, He Desends, Necrofuge and He, Wretched One are all songs that reach the six minute mark. When it comes down to it the standout tracks on the album are lesous Khristos Cambion and I Am The Darkness. Artwork by Mark Riddick grazes the cover of Via Negativa, the booklet contains the lyrics and individual band photos with the exception of Void's photo missing.
If I had to compare Via Negativa to the prior Teratism album Pure Unadulterated Hate I would say that Via Negativa is a stronger release, but only slightly and requires a few listens to adjust too everything that is taking place on the album and it is well worth the time spent.
Saturday, July 24, 2010
Into the Infernal Regions of the Ancient Cult is the first full-length release by black metal band Inquisition the album was released back in 1998. Hells Headbangers has decided to re-release the album with a remastered sound and also new artwork by Antichrist Kramer who also done the artwork on the other Inquisition releases Magnificent Glorification of Lucifer and Nefarious Dismal Orations. The first thing I want to mention on this re-release is that the overall sound is outstanding. I was reading on the Hells Headbangers page where this CD is supposed to be out in August, but hopefully it will arrive back from the pressing plant before then and all I can say is that it has been added to my buy list. Inquisition is one of those bands that never seems to release a bad album. One of the main things that always stood out to me the most about Inquisition was the way Dagon does his vocals they have droning feeling that is hypnotizing and Incubus does a killer job with the drumming. The guitars on Into the Infernal Regions of the Ancient Cult have a treble tone that creates a fantastic atmosphere to surround all of the songs. I also noticed how five of the songs go way past the six-minute mark, but nothing on this release seems boring this is where most other bands fail. The tempo on the album ranges from slow and crushing to fast as well. Recommended tracks are Empire Of Luciferian Race, Journey To Infernukeorreka and Solitary Death In Nocturnal Woodlands. I advise listening to Into the Infernal Regions of the Ancient Cult in complete darkness and solitude. Highly Recommended.
Wednesday, July 14, 2010
When I first found out that Candlelight Records signed the Norwegian extreme metal band The Deviant I eagerly wanted to check out their debut album Ravenous Deathworship, but I was also skeptical about the release. I was wondering if the album would live up to all the other extreme metal releases for this year or would it be another album to ignore upon my first initial listen. I learned real quickly that Ravenous Deathworship was a complete package of death, thrash, and black metal.
One thing that seems to be odd about Ravenous Deathworship is that vocalist and bassist Dolgar unleashes his Abbath style vocals similar to the style used on the Immortal’s album Sons of Northern Darkness mixed in with a dose of Secthdaemon vocals from Zyklon. Genocide is where the The Deviant shows their thrash metal side of the almighty Slayer as Violator and E.N Death cast down one hell bent jaw shattering heavy section, as the guitar riffs seem to gallop with pure heaviness. Violator pulls out one of his lightning fast guitar leads. Venom of Mankind starts off with one of those slow agonizing Morbid Angel riffs, but it’s something about this track in particular that reeks of nothing, but an old school salute to the early days of death metal. Purity of Hate is the only slow song on Ravenous Deathworship as I noticed a sense of Dark Funeral as a comparison. A bit of Zyklon madness rises up at the beginning of Sadosadistic much like the material found on Zyklon’s album Aeon and drummer Blod proves that he can play at blinding speed.
Production on the album is decent, but this is more a fact that the album was mastered at Tailor Maid Productions by Peter In De Betou. All of the instruments are balanced and noticeable except for the bass, which is buried beneath the crushing wall of guitars and drums. If you are into Dark Funeral, Immortal, Mindgrinder, and Zyklon. Then this is the perfect album to add to your CD collection. Highly Recommended.
Saturday, July 10, 2010
Anaclasis is the first track to open up the new album, but Hate decides to use some sort of intro before they rush right into the song. Overall it took me a while to get into this song, due to the fact of its slower pace than the rest of the album.
Necropolis is full of malice guitar riffs and for some odd reason this song reminded me of the material that was on Deicide’s album Serpents of the Light. Hex is a track that begins with Adam The First Sinner’s technical guitar riffs. Around the twenty-nine second mark the pace starts to pick up as it based more on full speed blasting and groove riffs. Hex also shows a crisp clean guitar tone, with Malediction the next track up on the album and Adam The First Sinner wastes no time as he jumps right into the track with those rapid speed demon palm muted riffs. Malediction also boasts some heavy breakdowns, which Cyprian shows his full bass playing capabilities. Hellrizer demolishes forth on the drums with his flesh melting blast beats and battering cymbal work.
Euphoria of the New Breed is nothing more than Deicide worship, but the keyboard samples is what gives the song more of a distinct identity of it’s own and more of an industrial metal feel. Razorblade is track number six and one of the tracks that is overall mid paced groove. Immorality begins with the drums starting in the song real low, but then the sound comes in and Hate unleashes the beastization on Immorality with no more than top-notch musicianship. Hellrizer also adds some creative techniques in his drumming, Adam The First Sinner’s riffs on this song in particular are memorable and he includes a short guitar solo.
Fountains of Blood to Reach Heaven is the last song on the eight-track album Anaclasis: A Haunting Gospel of Malice & Hatred and is the longest song on the album. Hate prove with this track that speed is a major factor, because Fountains of Blood to Reach Heaven is a speed vortex. Adam The First Sinner’s vocals on this track sound just like the work done by Nergal of Behemoth. Production was done at Hertz studio, which is known for the involvement of producing albums by Decapitated, Lost Soul, Dissenter, Trauma and many other polish death metal bands. So if you are a fan of death/black metal, I think it would be a good investment to put your money into the newest Hate release Anaclasis: A Haunting Gospel of Malice & Hatred.
Wednesday, July 7, 2010
Finding out about Daath Shadow happened when I was browsing a forum and the name was mentioned. It is like I have an inner hunger to find out about new bands, so I listened to a sample from Crown For Kings and about a three weeks after this I ordered my copy of the CD from Relapse Records. Daath Shadow plays black/death metal and the band consist of six members Inem Trah, Six, Nahash, Neb-Heru, ZLT, I-Nferii and Y-Soth. Four of the members contribute to vocals with three contributing to guitar duties and three offering samples. The band originates from the Netherlands and their lyrics focus on Gnosis, Occultism and Kabbalah. No information is given about what other bands the members of Daath Shadow have played in, but one thing is for certain and that is the members are skilled musicians this is noticeable throughout the album. Daath Shadow has lurked silent for a while, but they have struck with a viscous onslaught of masterful venom.
Crown For Kings starts off with and Untitled intro that is thirty-three seconds, but The Great Sabbath comes forth like a demon unleashed from hell the guitars have a crushing tone along with the samples in the background and massive drumming by Six. The lyrics make for an interesting reading with a feel of intelligence and thought put into writing them. I also noticed how some of the songs are chaotic at times. Servent of Lucifer has a solid old school death metal approach and possibly one of the strongest songs on the album. Veni Omnipotens Aeterne Diabolus and Blood of Qayin are ambient interludes. I also noticed how a majority of the songs have a bit of a doom metal feel as well, the vocals performed are a combination of growls and shrieks. Through The Dark Waterfalls is a strong song that closes out the album on a good note. The song also has a bit of a doom metal atmosphere in some of the guitar parts mainly at the beginning and during the duration of the track, the lead guitar work on Crown For Kings is spellbinding and feels like you have entered the deepest part of the cosmos.
Also Crown For the Kings was mastered by Dan Swano at Unisound. Anyone into black/death metal I can't recommend Crown For Kings enough this album is great from start to finish and offers a bit of variety to keep things interesting. Hopefully Daath Shadow will continue to release more albums in the future until that time Crown For Kings remains supreme. This record is dedicated to The Powers of Darkness and to the spreading of disharmonic energies into cosmos.....